Tag Archives: Charles Green
Exhibition review: Looking at Looking – The Photographic Gaze
Dear Dad I stand in NGV’s photography exhibition gallery, facing a whole wall studded with 20 pictures from Bill Henson’s Untitled 1980-1982 series. Forget silhouettes of girlish nudes, over which the Melbourne artist incurred public wrath some three years ago. Here, crowds in Melbourne from 30 years past appear to … Continue reading
